Watching Euroman as part of TISFF was especially interesting since Tzafka is a Greek filmmaker who lives and works in Denmark. It is a simple, often minimalistic, stylish film with a brilliantly integrated soundtrack and a delicately satirical humour. Every bit of music during these twenty-two minutes seems to fit but then again, it doesn’t. It ignites those controlled explosions that interrupt the story, it accompanies it while also ‘mocking’ it. If viewers with synaesthesia were watching, they would surely see random saturated colours popping through the grey, structured world of Copenhagen . . .
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