Imagine turning a corner and bumping straight into Sarah Lund and Saga Norén, deep in conversation, brows furrowed as if they were putting their heads together on a hybrid case derived from the darkest elements of The Killing and The Bridge.
It sounds like the product of a Nordic Noir fan’s fevered imagination, but this is the kind of thing that happens at Nordicana, London’s annual celebration of Scandinavian TV drama with a strong emphasis on the crime genre.
It isn’t . . .
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