While much of the attention for the Scandinavian Noir movement is likely to focus on suspenseful dramas permeating the small screen, the big screen has also seen its share of Nordic gloom, with Stieg Larsson’s Girl with the Dragon Tattoo series in particular proving popular in countries around the world. Yet perhaps the highest acclaim for the cinematic export of Scandinavian Noir has come for a film which was never incidentally branded as such; Nicolas Winding Refn’s 2011 film, Drive, was not only hailed at Cannes, where it won Winding Refn a best director prize . . .
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