Let us begin this review by saying when the film was in production it was described as a form of ‘Indiana Jones’ but with family relationships. We went into the film thinking that. Here’s what we came out with.
We begin in Stockholm, where gallery owner Catherine Taurus is approached by a dark stranger, Yonas Al-Masri, who asks strange questions about a gold statuette depicting the Egyptian god Anubis. Meanwhile her father, an art dealer, disappears. A very confused Catherine goes to ask the family lawyer about it all, but he . . .
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