Let us begin this review by saying when the film was in production it was described as a form of ‘Indiana Jones’ but with family relationships. We went into the film thinking that. Here’s what we came out with.

We begin in Stockholm, where gallery owner Catherine Taurus is approached by a dark stranger, Yonas Al-Masri, who asks strange questions about a gold statuette depicting the Egyptian god Anubis. Meanwhile her father, an art dealer, disappears. A very confused Catherine goes to ask the family lawyer about it all, but he . . .

SUBSCRIBE TO CINEMA SCANDINAVIA TO READ THIS ARTICLE!

Learn about subscriptions by clicking here. 

Subscribe to our digital service and read content online.

Register New Account

Choose your subscription level

Choose Your Payment Method

SHARE
Emma Vestrheim is the editor-in-chief of Cinema Scandinavia. Originally from Australia, she is know based in Bergen, Norway, and attends major Nordic film festivals to conduct interviews and review new films.