Scandinavian filmmakers have become accustomed us to the fact that they can tell good, realistic stories full of anthropological observation. This is evident both in the literature and film. This can be seen especially in their favorite genre, crime fiction. Suffice it to mention such titles as The Killing, The Bridge or Wallander. It turns out, however, that something interesting happens when the crime fiction can be influenced with other genre. In this case with horror.
When Jon Asp from the Swedish newspaper Aftonbladet wrote a review about a new TV-series titled . . .
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